El lunes Junio 17 2019


Cinema's Bodily Illusions: Flying, Floating, And Hallucinating por Scott C. Richmond

Cinema's Bodily Illusions: Flying, Floating, And Hallucinating por Scott C. Richmond epub

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  • Título: Cinema's Bodily Illusions: Flying, Floating, And Hallucinating
  • Autores: Scott C. Richmond
  • Publicado: 15 de octubre de 2016
  • ISBN: 0816690995
  • Tamaño: 22 MB
  • Nº de páginas: 264
  • Idiomas: Español
  • Valoración: ★★★★★
  • Formato : PDF, EPUB

Scott C. Richmond con Cinema's Bodily Illusions: Flying, Floating, And Hallucinating

Do contemporary big-budget blockbuster films like Gravity move something in us that is fundamentally the same as what avant-garde and experimental films have done for more than a century? In a powerful challenge to mainstream film theory, Cinemau2019s Bodily Illusions demonstrates that this is the case. Scott C. Richmond bridges genres and periods by focusing, most palpably, on cinemau2019s power to evoke illusions: feeling like youu2019re flying through space, experiencing 3D without glasses, or even hallucinating. He argues that cinema is, first and foremost, a technology to modulate perception. He presents a theory of cinema as a proprioceptive technology: cinema becomes art by modulating viewersu2019 embodied sense of space. It works primarily not at the level of the intellect but at the level of the body. Richmond develops his theory through examples of direct perceptual illusion in cinema: hallucinatory flicker phenomena in Tony Conradu2019s The Flicker, eerie depth effects in Marcel Duchampu2019s Anu00e9mic Cinu00e9ma, the illusion of bodily movement through onscreen space in Stanley Kubricku2019s 2001, Godfrey Reggiou2019s Koyaanisqatsi, and Alfonso Cuaru00f3nu2019s Gravity. In doing so he combines insights from Maurice Merleau-Pontyu2019s phenomenology of perception and James J. Gibsonu2019s ecological approach to perception. The result is his distinctive ecological phenomenology, which allows us to refocus on the cinemau2019s perceptual, rather than representational, power.Arguing against modernist habits of mind in film theory and aesthetics, and the attendant proclamations of cinemau2019s death or irrelevance, Richmond demonstrates that cinemau2019s proprioceptive aesthetics make it an urgent site of contemporary inquiry.
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